1848-94
Related Paintings of Pierre Auguste Renoir :. | i mor anthonys vardshus | Monet painting in his Garten in Argenteuil | reclinig nude rear ciew | Summertime | Woman Arranging her Hair | Related Artists:
William Lees Judson1842-1928
William Lees Judson was born in 1842 in Manchester, England, and moved to the United States with his parents when he was ten years old. After serving four years with the Illinois volunteers during the American Civil War, Judson studied art in New York and Paris. He settled in London, Ontario, where he became a successful portrait painter and art teacher. He moved to Chicago in 1890 but, suffering from failing health, he moved to Los Angeles in 1893. He settled on the banks of the Arroyo Seco in the Garvanza section of Los Angeles. A 1937 radio program noted that it was ??love at first sight?? when Judson saw the Arroyo Seco, and the area became his home for the rest of his life. Soon after his arrival, Judson was at the forefront of the Arroyo Guild of Craftsmen, an influential group of artists, sculptors and architects who fueled Southern California??s Arts and Crafts Movement. The beauty of the area stirred Judson to switch from portrait painting to landscapes, and his work attracted such favorable attention that in 1896 he was offered a professorship in drawing and painting at the University of Southern California. In the late 1890s, he founded the Los Angeles College of Fine Arts at his home in Garvanza (the present location of Judson Studios). In 1901, Judson's art college became USC??s College of Fine Arts, with Judson serving as dean from 1901 until his retirement in 1922. He died at his home in the studio building in October 1928.
Fra AngelicoFra Angelico Galleries
b.c. 1400, Vicchio, Florence
d.Feb. 18, 1455, Rome
Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent".
Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One).
Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico".
Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.
Elie NadelmanPolish-born American Abstract Sculptor, 1882-1946,was an American sculptor, draughtsman and collector of Polish birth. Nadelman studied briefly in Warsaw and then visited Munich in 1902 where he became interested in Classical antiquities at the Glytothek. He lived in Paris from 1904 to 1914, closely involved with the avant-guarde, exhibiting at the Societe des Artistes Independants and at the Salon d'Automne from 1905 to 1908. His first solo exhibition in 1909 at the Galerie Druet, Paris, revealed a large series of plaster and bronze classical female heads and full-length standing nudes and mannered Cubist drawings; the latter purchased by Leo Stein, who had brought Picasso to Nadelman's studio in 1908. For the most detailed and accurate studies of Nadelman's work from 1905-12, which was of crucial importance for early 20th c. modern sculpture, see Athena T. Spear in Bibliography. He moved to the United States (becoming an American citizen in 1927) during the outbreak of World War I, married Mrs. Viola Flannery, a wealthy heiress,and assembled a large, museum quality collection of folk sculpture.